鈺昇動畫有限公司
鈺昇動畫有限公司
YU-SHENG Animation Studio
鈺昇動畫工作室成立於2009年，於2013年正式更名為鈺昇動畫有限公司。
鈺昇動畫以2D動畫與美術為主要的業務項目，是同時擁有企劃開發與製作能力的團隊，初期以出色的兒童動畫著長，鈺昇動畫有著迪士尼傳統2D動畫的原畫表現能力，嘗試結合新時代的思想與創新技術，拓展數位2D動畫能夠帶來的更多可能性。從動畫代工為製作開發的起點，保持最好的態度與精神，因應客戶需求完成相應的風格呈現與高品質作品。
從2022年開始，鈺昇動畫也開始同步經營角色品牌LUSA露沙，開創一個擁有自我風格的動畫呈現，走向推出自有的品牌方式，將理念利用動畫與圖像傳達與推廣。
Yu-Sheng Animation Studio is funded in 2009.
Our Team is capable to provide services from creative ideas, scripting, and concept art design to animation production and even some simple post production work.
Yusheng Animation has the lead animator performance ability of Disney's traditional 2D animation, and tries to combine the ideas and innovative technologies of the new era to expand more possibilities that digital 2D animation can bring. From the animation OEM as the starting point of production and development, maintain the best attitude and spirit, and complete the corresponding style presentation and high-quality works according to customer needs.
Starting from 2022, Yusheng Animation Studio will also simultaneously operate the IP brand LUSA, creating an animation with its own style, working on the path of launching its own brand.
▍劉志濬Johnny
▍886-919-992-951
▍Address：235新北市中和區工專路111號C305室（Rm. C305, No. 111, Gongzhuan Rd., Zhonghe Dist., New Taipei City 235 , Taiwan）
▍Tel：+886-2-2362 0071
▍Email：yusheng.studio98@gmail.com
代表作品(IP)
Representative Works
LUSA露沙
《LUSA露沙》是動漫與社群圖文的開發作品，故事講述想要成為「管理人」的露沙，和來到鄉下的秋比相遇的故事。
"LUSA" is a development work of animation and comic. Lusa, who wants to be a "Protector",met Chobe who comes to the grandmother's house, and a magical journey where they interact with spirits begins.
在LUSA 一開始的設立，我們選擇使用動物以及非人的外觀來做為整體的角色呈現，為了有個更具親和力角色塑造，利用可愛討喜的外觀與動作表現打入社群媒體，並且設計方式更能夠簡單契合商品與周邊開發。
At the start of setting up LUSA, we chose animals and non-human appearances to serve as the overall presentation. In order to portray a more affable character, the characters’ cute and pleasing appearances as well as actions are the main spotlight spread on the social media, and the design can be simpler to fit the products and merchandises.
In the pre-production and planning, there’s been continuous adjustments, and we eventually decided to present the story in human perspective, while adding some magical and spiritual elements.
在前期製作與規劃之中，經由不斷的調整，最後決定使用人類的角度來訴說故事，適度的加入一些妖靈的奇幻元素。
我們選用了陳舊、紛雜、廢棄、古老、年代感的場景與物件充斥整個作品，更加貼近生活，對於喜歡觀察生活周遭的人們，可能就會有相當的感觸，其中也利用具有民族風格的服飾來表達妖靈的族群風格。
在動畫影集的設立裡面，每個人都會有屬於自己的故事。希望在 LUSA 這個作品之中，給觀眾帶來療癒性的感受，能夠對不同的人引發不同面向的觀後感與反思。
Scenarios and objects are adopted in an obsolete, mixed and ancient way in the whole story, which is closer to life and may be touching to people who love to observe the surroundings of life, while the national-style-clothing is also used to present the living style of the spirits.
In the series of the animation, everyone owns the story of theirs. Hope the work of LUSA could bring audiences a sense of healing, and trigger different afterthoughts and reflections for everyone.
